![]() The concept of an annual summer celebration in the rainy town followed in 1912 with the first Potlatch Festival, which offered "a carnival of sports, music, dancing and feasting." Popular, but lacking conceptual cohesion, "Seattle's Potlatch stitched together the jarringly dissimilar themes of the Gold Rush, U.S. Later in 1909 the town hosted a world's fair, the Alaska-Yukon-Pacific Exposition (AYPE), which had plenty of daily music and arts presentations. As early as the 1880s the young town was already hosting German song festivals - Saengerfests. Seattle has a long record of producing community music and/or arts festivals. But Bumbershoot had already earned its wide reputation for creating magic moments, and many visitors make annual pilgrimages to Seattle to attend what Rolling Stone magazine once deemed "the mother of all festivals." Over time, Bumbershoot has weathered its share of financial storms - ones that eventually led One Reel to pair up with behometh concert promoters AEG. In 1980 its management was contracted to a local production company, One Reel, attendance levels soared, and an entry fee was instituted. Renamed Bumbershoot: Seattle Arts Festival in 1973, the festival steadily expanded, taking hold as a summer tradition after being moved to Labor Day weekend in 1976. Hastily produced by a small team, on a meager budget (and with little publicity), Festival '71 proved wildy successful when 120,000 people turned out to see art exhibits, bands, buskers, film screenings, literary presentations, sporting demonstrations, and much more. ![]() Launched in July 1971 as the Mayor's Festival '71, it initially presented about 150 mostly homegrown and free attractions on the Seattle Center campus. Seattle is the host city for one of the world's best-loved urban music and arts festivals: Bumbershoot. ![]()
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